Copyright (c) 2025 Revista Contacto
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
This research is based on the following question: what kind of sociocultural repercussions does the implementation of visual codes have within the recent Costa Rican poetic language for the conception of contemporary art? The answer is intended to be resolved through the analysis of two poetic-visual works of Costa Rican writing Silvia Piranesi: Many brilliant notions and 52 poem requests of the year, from the approach of the theoretical conceptions of the sociology of art, emphasizing the contextualization of his work from contemporary art, Latin American Conceptualism and transgression.