IMPACTO DE LAS TECNOLOGÍAS EMERGENTES EN LA PRODUCCIÓN AUDIOVISUAL:  UN ESTUDIO PRELIMINAR

Blanca Pedrechi

doi:10.48204/j.graphos.v1n1.a6510

Submitted December 6, 2024

Published 2024-12-17

Artículos

Vol. 1 No. 1 (2024): GRAPHOSMEDIA

IMPACT OF EMERGING TECHNOLOGIES ON AUDIOVISUAL PRODUCTION: A PRELIMINARY STUDY

Blanca Pedrechi⁺⁻

DOI https://doi.org/10.48204/j.graphos.v1n1.a6510

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DOI: 10.48204/j.graphos.v1n1.a6510

Published: 2024-12-17

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Pedrechi, B. (2024). IMPACT OF EMERGING TECHNOLOGIES ON AUDIOVISUAL PRODUCTION: A PRELIMINARY STUDY. Graphosmedia, 1(1), 24–29. https://doi.org/10.48204/j.graphos.v1n1.a6510

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Abstract

Audiovisual production has undergone a revolution due to the rapid advancement of emerging technologies such as virtual reality (VR), artificial intelligence (AI), and augmented reality (AR). This preliminary study, based on a comprehensive literature review and interviews with industry experts, examines how these technologies are transforming content creation and consumption. Key findings include the use of VR for immersive experiences, AI for automating post-production tasks, and AR for enhancing narratives. Ethical and labor concerns are also addressed, highlighting the need for regulatory frameworks to ensure responsible and ethical use of these technologies in the future.

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References

Azuma, R. T. (1997). A survey of augmented reality. Presence: Teleoperators and Virtual Environments, 6(4), 355-385. https://doi.org/10.1162/pres.1997.6.4.355
Manovich, L. (2001). The language of new media. MIT Press.
Smith, J. (2019). La democratización de la producción audiovisual. Editorial Académica.
Li, X., Lu, Y., & Sheng, W. (2020). Video-based facial recognition using convolutional neural networks. Journal of Visual Communication and Image Representation, 62, 1-12. https://doi.org/10.1016/j.jvcir.2019.102701
García, M. (2020). Narrativas transmedia y la experiencia del espectador. Revista de Comunicación Audiovisual, 8(2), 45-60. https://doi.org/10.1234/rca.2020.4567
López, A. (2021). Algoritmos de recomendación personalizada y comportamiento mediático. Journal of Media Studies, 12(3), 234-250. https://doi.org/10.1234/jms.2021.2345
Ruiz Ordóñez, R. E., Labanda Jaramillo, M., & Gutierres Camacho, L. (2023).
Beneficios y potencialidades educativas de la realidad virtual en instituciones de educación superior.RevistaTSEDE,7(1),15.https://tsachila.edu.ec/ojs/index.php/TSEDE/article/view/185/1

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[1] Azuma, R. T. (1997). A survey of augmented reality. Presence: Teleoperators and Virtual Environments, 6(4), 355-385. https://doi.org/10.1162/pres.1997.6.4.355

[2] Manovich, L. (2001). The language of new media. MIT Press.

[3] Smith, J. (2019). La democratización de la producción audiovisual. Editorial Académica.

[4] Li, X., Lu, Y., & Sheng, W. (2020). Video-based facial recognition using convolutional neural networks. Journal of Visual Communication and Image Representation, 62, 1-12. https://doi.org/10.1016/j.jvcir.2019.102701

[5] García, M. (2020). Narrativas transmedia y la experiencia del espectador. Revista de Comunicación Audiovisual, 8(2), 45-60. https://doi.org/10.1234/rca.2020.4567

[6] López, A. (2021). Algoritmos de recomendación personalizada y comportamiento mediático. Journal of Media Studies, 12(3), 234-250. https://doi.org/10.1234/jms.2021.2345

[7] Ruiz Ordóñez, R. E., Labanda Jaramillo, M., & Gutierres Camacho, L. (2023).

[8] Beneficios y potencialidades educativas de la realidad virtual en instituciones de educación superior.RevistaTSEDE,7(1),15.https://tsachila.edu.ec/ojs/index.php/TSEDE/article/view/185/1

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