Satoshi Kon highlighted as a director and animator not only in his native Japan, but internationally. Also, he innovated with the intro credits made for his last two films and television series. The treatment given to the technical file of each of these and how it was incorporated into the fable will be analyzed. The reason for this handling and the similarities that exist with the creations of Saúl Bass are presented; from the point of view of the graphic idea and the metaphorical component.In the end, it concludes with an analysis of the scarce corpus left by the author and what could have been his work in the future.