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This article analyzes the poetics of Dulce Maria Loynaz, the Cuban writer who won the Cervantes Prize for Literature in 1992 and a life member from that same year until 1959 in which she died of the Academy of the Language of Cuba. It analyzes its poetic production, not from the phonic and phonological procedures, nor from the rhythm or the riding, but from the sign, signified, significant and referent, of the geographical context as a riding of itself that reveals its psychological position in front of dignify of this space transpired in rooting, estrangement, discrimination and identity. It is the article in short the decantation of its literary aesthetics from the meaning it had for the social; That death of the life outside that in the moral sense or in its interior subvert in anguish, rebellion and manipulation towards the freedom embodied in the act of writing poetry.
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