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Years of conducting marjoram research have allowed me to collect data to compare evolution.
The starting point for this research was my musical experience, however, subjectivity prevented me from developing a depth in my theme.
To achieve this as a researcher, I exposed on the subject, all the solid criteria on this element, one of the most traditional and representative of our national folklore.
This solid foundation led me to know that the projection of folkloric music made responsibly will make our traditions and customs last over time.
It is also clear to me that the best way for our native instrument not to disappear is precisely to strengthen it with elements that suit it without altering its essence.
